Friday, March 19, 2010

Bad Boy Bubby - Rolf de Heer - Australia - (1993)



Plot by Imdb: "Bubby's buxom mother tricked him to stay locked at home for thirty years, during which she mounts and abuses him. Buddy ends up in the streets groping random women until finding a nurse who is even more buxom than his late mother." 
As usual with Rolf de Heer ("Incident at Raven's Gate"), everything looks amazing in this picture. But, on top of that, the script is also extremely rich and enjoyable. Based on the classic story of the "special" man that make others realized themselves or create amazing things, thanks to his lack of "formatting", this one is cruel enough and bleak enough to be enjoyable, even by the more cynical of us. Some parts are clearly comical and his "career" as a post-modern singer is hilarious and touching. Religion has a central part of the movie as Bubby has to deal with his own special mysticism. His "pure" ways of relating to the others are never an excuse to watch the world in a naive way, as many abuses and sordid aspects of reality are depicted. Both shocking at time, amusing, bitter or simply funny, "Bad Boy Bubby"  reach easily a form of realistic poetry, that we don't see often.  Another little gem from Rolf de Heer, maybe his most well known movie outside of Oz.

Trailer:

How to make a monster - Herbert L. Strock - USA - (1958)




Plot by Imdb: "When master monster make-up man Pete is sacked by the new bosses of American International studios he uses his creations to exact revenge."

A very nice old-school horror picture, that will speaks to all the classic horror fans, from the Hammer films to AIP and Roger Corman. This one is a bit strange as the plot is metafictional: the action takes place inside the AIP studio and we see all the monsters masks and make-up being replaced by some more "exploitation" type  cinema. Despite the fact that is an old trick to re-use its catalog of creatures and that it works well for self-promotion, this led to an unusual approched in the movie, specially in the last part in color. This change from B&W to color, specially at a violent moment in the story, might be interpreted as the symbolic change in the b-movies industry. It's even clearer in the last sequence, in the house: the masks are presented as mytical figures, hanged in a "sacred" hall of fame: it looks like a pantheon of ancient gods that rebels against change. As a metaphore, the movie works perfectly and it's always nice to mix the inside and outside of a craft, in a touching story of a creator that won't abandon his creations, that won't give up its old magic. A little classic. 




Trailer:


Highwaymen - Robert Harmon - USA - (2004)




Plot by Imdb: "Rennie Cray (Caviezel) embarks on a bloodthirsty rampage to avenge the death of his wife who was struck down by a serial killer - a man who hunts and kills women using his '72 El Dorado."

Instant hit with me, not so much as "The Hitcher", an absolute classic also by director Harmon, but efficient. In between David Cronenberg's "Crash", for the fetishist aspect of the mingled killer and his way of killing, and "Vanishing Point" for the car chase and highway obsession. Artistic and technical aspects are very well done. The killing and chases are impressive and the crippled bad guy (played by Colm Feore, perfect) in his '72 El Dorado is iconic as hell. For "The Wire" fans, it's also nice to see Frankie Faison in a supporting detective role. A very nice and solid highway thriller. Recommended




Trailer:


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